Based on my training as a (figurative) painter, my work has evolved over the years, into a hybrid, research based practice that includes writing, (audio) installation, performative, sartorial, and textile based works.

I aim to challenge and revise the feminist as well as the art historical Canon, by combining a social indignation and a science fiction imaginary with a steady disco beat and a color field vernacular.

The goal is, and must always be, to speak truth to post-truth, to strive for resilience, resourcefulness, and peak-beauty, and to imagine better futures for all, including the next generations.