A Refusenik is a portable and wearable TAZ (temporary autonomous zone) designed to remove/distance oneself from the (political) situation at hand. They can be displayed as banners or worn by an individual, a couple, or a collective body. Put it on and just say no. Read the rest of this entry »
HATORADE RETROGRADE debuted at Chicago’s Threewalls/Rational Park in May 2016 and was received with an Art Forum Critics pick by Matt Morris:
It features a selection of sartorial works set against a backdrop of revisionist “lipstick formalist” paintings to present a dystopian vision of the US anno 2033.
Today we share an interview with Lise Haller Baggesen, one of the artists featured in Your body is a battleground, on view at Weinberg/Newton Gallery from April 15 – June 9.
Focusing on the many ways art and artists have moved the pro-choice and feminist movements forward, Your body is a battleground is an exhibition featuring sculpture, photography, painting, drawing, and mixed media works. Exhibition artworks are available for bidding throughout the run of the show via the online auction house Paddle8. A closing reception and live benefit auction event will take place on June 9th. This exhibition and auction support Personal PAC.
(Pardon me, if I’m sentimental)
The very last time I saw my granny alive, I knew this would be the very last time I would see my granny alive.
My paternal grandmother died one week after her 90th birthday in August 1998. She was alive for practically all of the 20th century. She lived to see two world wars, the atom bomb, the moon landing, the cold war, the fall of the Berlin wall, the Internet.
In the fall of 2014, I curated three exhibitions for Vox Populi’s Fourth Wall screening space, under the title 3am Maternal. The invitation came about after a visit to Vox in the summer of 2014, during which I had a lengthy conversation with Catherine Pancake about maternal passions and desires, followed by a correspondence with Maria Dumlao about the politics and labor of labor and their uneasy position within the current feminist (and art) discourse.
Danish artist Lise Haller Baggesen has made it her personal mission to “locate the ‘mother-shaped’ hole in contemporary art discourse” and has been touring site specific variations of her exhibition Mothernism since 2013 in an effort to do so. Today, we are lucky enough to have it on view at the Gatehouse Gallery at the Betty and Edward Marcus Sculpture Park at Laguna Gloria. Alongside the exhibition, Baggeson has also written a beautiful Mothernism book, available for purchase at both Contemporary Austin locations.
This interview was conducted in the disco womb room and has been edited for both length and clarity.